Sunday, 19 March 2017

Enotecca’s Prudent Evolution

I recently enjoyed the valuable opportunity to visit the head office of two of my favourite and most respected wineries, and sample several brand-new releases. Enotecca Wineries is the parent company of both LaStella and Le Vieux Pin, Italian- and French-inspired wineries in Osoyoos and Oliver respectively. The two wineries share key staff, including highly talented Winemaker and Viticulturist Severine Pinte, who emigrated to Canada in 2010 after extensive education in France, and many years of international experience. Severine is now a Managing Partner, alongside Sales & Marketing Director Rasoul Salehi, who was eager to share with me the near-perfect 2016 vintage.

LaStella 2014 Espressivo

Although Rasoul hinted that a few new and upcoming reds from recent vintages were available, the focus was on the brand new 2016 whites and Rosés from both wineries. It is broadly acknowledged, and emphasized by Rasoul, that 2016 was a particularly excellent vintage – in his opinion the best since 2011. (Although thought of as cool, 2011 yielded beautifully-focused, elegant wines, as my own experience has born out.) For the varieties and styles aimed for at both LaStella and Le Vieux Pin, 2016 offered an ideal long, consistent, and moderate growing season without the overly high heat of recent years. As the most youthful whites trickle into the market these past couple of months, consumers are getting a chance to experience the quality on hand.

LaStella’s musically-named wines include a pair of crisp, dry whites in the form of “Leggiero” In-Oaked Chardonnay and “Vivace” Pinot Grigio, both echoing the style of northern Italy. Fresh out of the gate they are exactly that – fresh – with bountiful fruit presence and balanced by precise acidity, and deliciously moderate alcohol (e.g., 12-13% was typical for all whites, despite fermentation to dryness). Incorporating fruit from a newly acquired Golden Mile vineyard with old vines Chardonnay, Leggiero 2016 offers bright green apples and sourdough bread with lip-smacking minerality. Immediately expressive on the nose, with a basket of green and pink citrus fruit, Vivace 2016 is equally juicy, with a “chiselled” fruit cocktail palate of which LaStella is rightfully proud – it is a notably different beast than the lusher stone fruit of many BC Pinot Gris.

Avoiding overlap, Le Vieux Pin’s portfolio includes a long-time fan-favourite Sauvignon Blanc, harvested spectacularly early in 2016 by mid-August, to yield just 12% alcohol. First impression makes it clear this is not a standard simple sipper, if the $30 price tag wasn’t evidence enough; it is a complex, food-focused wine sparking thoughtful contemplation. I was struck by the nose of Guava and rich tropical fruit, showing little grassiness beyond some light herbaceous notes. The clean and fresh citrus palate was terrifically long-lasting, with enjoyable subtleties changing alongside the temperature. Just as distinct is LaStella’s fun-loving Moscato D’Osoyoos, where 44 g/L of sugar in 2016 is well balanced and pumped up by enthusiastic effervescence. I have no doubt that all 800 cases of this perfect breakfast wine will sell out once again, as the gorgeous musk melon nose and peach palate gain it even further fans.

With Spring well on its way wine fans are fortunate both wineries long ago embraced Rosé, offering opportunity to love either iteration. I have long-favoured Le Vieux Pin’s “Vaïla” Pinot Noir, but was surprised to lean for LaStella in short order. The 2016 “LaStellina” Rosé is much lighter in colour than previous iterations, entering with a traditional off-dry palate but finishing surprisingly dry (just 5 g/L is paired with 12.9% alcohol). Two thirds Cabernet Franc shows off red fruit and forest floor, while Merlot and 4% Sangiovese offer additional complexity to the silky palate. In contrast, Vaïla’s pure Pinot expression is bone dry as usual, lightly pinked and delicately creamy from time on the gross lees. Its rhubarb and rose petal profile comes in a close second to LaStellina this year, but I have no qualms about my inevitable purchase of both bottles.

Warmer weather welcomes reds as well as whites, and it is here that some very calculated growth is taking place. Neither winery has been focused on expansion, as the goal has always been to produce the best possible wine, but in doing so there can be germination of new opportunities. A few years back Le Vieux Pin’s renowned Syrah selection birthed the accessible Cuvée Violette, aggressively priced to become a restaurant favourite in no time. After some months without stock, merchants and customers must be relieved to see the newly released 2015 vintage, and should be quite satisfied with the big floral, mocha nose, black fruit flavours, and peppered finish from soft, ripe tannins. A generous 1,300 cases are available, and plans for larger releases to come are in place once the new Golden Mile vineyard comes on stream.

As Le Vieux Pin further cultivates Syrah, LaStella is shepherding small plantings of Sangiovese towards greatness. I was lucky enough to get an early taste of the 2014 “Arioso” Sangiovese, already oozing appeal with a ripe and ravishing nose. One experimental barrel in 2012 has yielded to a relative boom of 106 cases from 2014, set for release towards the end of 2018 in all likelihood. The newest Fortissimo, an existing Super Tuscan blend, deftly incorporates 11% Sangiovese alongside a quarter of Cabernets and nearly two thirds Merlot as 1,711 cases of 2015 are now available. Even more exciting, new sibling “Espressivo” will soon arrive to provide complement from 2014 with 55% Cabernet Franc, 20% Cabernet Sauvignon, 20% Merlot, and 5% Sangiovese. Although only 123 cases of the inaugural release have been produced, gradual growth is hoped for, offering a darker, spicier partner to Fortissimo’s lush earthy berries.

My visit concluded with an extra treat thanks to the always-impressive Coravin, with which Rasoul was able to offer tastes of the 2006 and 2008 Allegretto Merlot. Having over a decade behind it, 2006 was unnervingly smooth, with continuing complexity of forest floor, black olives, and leather. There were in fact still some tannins lurking in 2008, but the ripe and mouth-filling palate was going strong, showing rich fruit with a coffee-flavoured, meaty undercurrent. As both wineries enter their second decades, I look forward to seeing similar iterations of Espressivo, Arioso (and all the other superbly crafted reds) in the future. In the meantime, I have plenty of options for my glass this summer.

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